Fifty-Two Stories For Girls
by Anonymous
- Language
- EN
- Format
- EPUB
- Size
- 501 KB
Description
Fifty-Two Stories For Girls presents a collection of short narratives centered on young female protagonists facing various personal and social challenges. The stories, written in the early 20th century, aim to foster qualities such as bravery, kindness, and resilience among young readers. The opening story introduces Gloria Dene, a new boarding school student, who arrives feeling homesick and weary from her journey. Her experiences at school highlight themes of adaptation, friendship, and personal growth as she settles into her new environment.
This compilation reflects contemporary ideals of female character development and moral virtues, set within the context of childhood and adolescence. The stories are designed to entertain while imparting lessons about virtue, perseverance, and interpersonal relationships. As a collection intended for children and young adults, it provides insights into early 20th-century notions of femininity and education, illustrating the social expectations placed on young girls of that period.
This compilation reflects contemporary ideals of female character development and moral virtues, set within the context of childhood and adolescence. The stories are designed to entertain while imparting lessons about virtue, perseverance, and interpersonal relationships. As a collection intended for children and young adults, it provides insights into early 20th-century notions of femininity and education, illustrating the social expectations placed on young girls of that period.
From the opening pages
"Here you are, miss," said the red-faced cabby, putting his head in at the cab window, "this is Miss Melford's school." It was a large, many windowed, white house on Hertford Green, in sight of the famous spires of Silverbridge, and was for some six months to be both home and school to me, Gloria Dene. I was late in my arrival, and I was tired, for I had come all the way from Erlingham in the heart of Norfolk, and moreover, I was hungry, and just a little homesick, and already wanted to return to the old homestead and to Uncle Gervase and Aunt Ducie, who had taken the place of my parents. The cabman gave a loud rat-a-tat with the lion-headed knocker, and in due course a rosy-faced servant maid opened the door and ushered me in. Then she preceded me through a broad flagged hall, lit by crimson lamps. And as I went I heard a sweet and thrilling voice singing, "Home, home, sweet, sweet home, Be it ever so humble there's no place like home." The words naturally appealed to me, and I exclaimed: "How lovely! Who is singing?" only to be told that it was Mamselle Narda, the music mistress. I thought of the nightingale which sang in our rose bush on summer nights at home, and found myself wondering what Mamselle was like. The next day I saw her—Bernarda Torres; she was a brown beauty, with dark rippling hair, soft dark eyes, and a richly soft complexion, which put one in mind of a ripe peach on a southern wall. She was of Spanish extraction, her father (a fruit merchant) hailing from Granada, her mother from Seville. Narda's path had been strewn with roses, until a bank failure interrupted a life of happiness, and then sorrows had come in battalions. Mamselle had really turned her silver notes into silver coins for the sake of "Home, Sweet Home." This love of home it was which united Narda and myself. She told me all about the house at home, about her brother, Carlos, and his pictures, and maman , who made point lace, and Olla Podrida, and little Nita, who was douce et belle . And I, in my turn, told her of the thatched homestead near the Broads, of the bay and mulberry trees, of Aunt Ducie's sweet kind face, and Uncle Gervase's early silvered…
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