The Virginian: A Horseman of the Plains
by Owen Wister
- Language
- EN
- Format
- EPUB
- Size
- 449 KB
Description
Set in the Wyoming Territory during the 1880s, Owen Wister's novel depicts life on a cattle ranch at a time when the American West was still largely frontier. The story centres on a character known only as the Virginian, a ranch hand whose actions and principles exemplify traditional cowboy virtues. The narrative describes his interactions with fellow cowboys, confrontations with outlaws such as Trampas, and a romantic relationship with an Eastern schoolteacher unfamiliar with Western customs. The novel explores themes of justice, loyalty, and individual integrity against the backdrop of frontier life.
Published in 1902, this work is regarded as a foundational text in the Western genre. It provides a detailed portrayal of ranching life, frontier justice, and the social dynamics of 19th-century American cattle country. The story reflects the values and conflicts characteristic of the period, contributing to the mythos of the American cowboy and frontier ethos.
Published in 1902, this work is regarded as a foundational text in the Western genre. It provides a detailed portrayal of ranching life, frontier justice, and the social dynamics of 19th-century American cattle country. The story reflects the values and conflicts characteristic of the period, contributing to the mythos of the American cowboy and frontier ethos.
From the opening pages
Some of these pages you have seen, some you have praised, one stands new-written because you blamed it; and all, my dear critic, beg leave to remind you of their author's changeless admiration. TO THE READER Certain of the newspapers, when this book was first announced, made a mistake most natural upon seeing the sub-title as it then stood, A TALE OF SUNDRY ADVENTURES. “This sounds like a historical novel,” said one of them, meaning (I take it) a colonial romance. As it now stands, the title will scarce lead to such interpretation; yet none the less is this book historical—quite as much so as any colonial romance. Indeed, when you look at the root of the matter, it is a colonial romance. For Wyoming between 1874 and 1890 was a colony as wild as was Virginia one hundred years earlier. As wild, with a scantier population, and the same primitive joys and dangers. There were, to be sure, not so many Chippendale settees. We know quite well the common understanding of the term “historical novel.” HUGH WYNNE exactly fits it. But SILAS LAPHAM is a novel as perfectly historical as is Hugh Wynne, for it pictures an era and personifies a type. It matters not that in the one we find George Washington and in the other none save imaginary figures; else THE SCARLET LETTER were not historical. Nor does it matter that Dr. Mitchell did not live in the time of which he wrote, while Mr. Howells saw many Silas Laphams with his own eyes; else UNCLE TOM'S CABIN were not historical. Any narrative which presents faithfully a day and a generation is of necessity historical; and this one presents Wyoming between 1874 and 1890. Had you left New York or San Francisco at ten o'clock this morning, by noon the day after to-morrow you could step out at Cheyenne. There you would stand at the heart of the world that is the subject of my picture, yet you would look around you in vain for the reality. It is a vanished world. No journeys, save those which memory can take, will bring you to it now. The mountains are there, far and shining, and the sunlight, and the infinite earth, and the air that seems forever the true fountain of youth, but where is the buffalo, and the wild antelope, and where the horseman with his pasturing…
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