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A Simple Story

by Mrs. Inchbald

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Description

A Simple Story centers on the emotional conflicts of Miss Milner, a spirited heiress whose passionate nature clashes with the sternness of her guardian, Dorriforth, a Catholic priest who has relinquished his vows. The novel examines their turbulent romantic relationship, set against the social conventions of late 18th-century Britain. After their separation, the narrative shifts to the life of their daughter, Matilda, who faces societal rejection and personal disappointment. The story juxtaposes themes of love, virtue, and societal expectations, reflecting Mrs. Inchbald’s interest in morality and the influence of education on women. The novel was published in 1791 and is classified within early British romantic and sentimental fiction, characteristic of the late 18th-century literary landscape.

The work employs dual narratives to explore the consequences of different approaches to women’s education and virtue, illustrating the moral and emotional ramifications of societal norms. It is notable for its focus on individual passions and their impact on personal lives within a defined social context.

From the opening pages

Left Archaic spellings, but made minor changes to punctuation. CONTENTS INTRODUCTION PREFACE. Plays written by Mrs. Inchbald INTRODUCTION A Simple Story is one of those books which, for some reason or other, have failed to come down to us, as they deserved, along the current of time, but have drifted into a literary backwater where only the professional critic or the curious discoverer can find them out. “The iniquity of oblivion blindly scattereth her poppy;” and nowhere more blindly than in the republic of letters. If we were to inquire how it has happened that the true value of Mrs. Inchbald’s achievement has passed out of general recognition, perhaps the answer to our question would be found to lie in the extreme difficulty with which the mass of readers detect and appreciate mere quality in literature. Their judgment is swayed by a hundred side-considerations which have nothing to do with art, but happen easily to impress the imagination, or to fit in with the fashion of the hour. The reputation of Mrs. Inchbald’s contemporary, Fanny Burney, is a case in point. Every one has heard of Fanny Burney’s novels, and Evelina is still widely read. Yet it is impossible to doubt that, so far as quality alone is concerned, Evelina deserves to be ranked considerably below A Simple Story . But its writer was the familiar friend of the greatest spirits of her age; she was the author of one of the best of diaries; and her work was immediately and immensely popular. Thus it has happened that the name of Fanny Burney has maintained its place upon the roll of English novelists, while that of Mrs. Inchbald is forgotten. But the obscurity of Mrs. Inchbald’s career has not, of course, been the only reason for the neglect of her work. The merits of A Simple Story are of a kind peculiarly calculated to escape the notice of a generation of readers brought up on the fiction of the nineteenth century. That fiction, infinitely various as it is, possesses at least one characteristic common to the whole of it—a breadth of outlook upon life, which can be paralleled by no other body of literature in the world save that of the Elizabethans. But the comprehensiveness of view shared by Dickens and Tolstoy, by Balzac and George Eliot, finds no place in Mrs. Inchbald’s work. Compared with A Simple Story even

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