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Brazilian Tales
- Language
- EN
- Format
- EPUB
- Size
- 139 KB
Description
Set in Brazil and composed in the early 20th century, "Brazilian Tales" is a collection of short stories that reflects the country's literary development during this period. The authors, including Medeiros e Albuquerque, Coelho Netto, and Carmen Dolores, aim to present a variety of narratives that highlight distinctive Brazilian themes and cultural elements. The collection features stories that often blend realistic descriptions with psychological insight, revealing facets of human behaviour and societal norms within the Brazilian context.
The opening section offers an introduction discussing the evolution of Brazilian literature and its complex identity. The first story, "The Attendant's Confession," exemplifies the collection’s focus on character-driven narratives that delve into personal and social conflicts. Overall, the anthology exemplifies early 20th-century Brazilian literary expression, emphasising regional voices and thematic depth within the framework of national literature.
The opening section offers an introduction discussing the evolution of Brazilian literature and its complex identity. The first story, "The Attendant's Confession," exemplifies the collection’s focus on character-driven narratives that delve into personal and social conflicts. Overall, the anthology exemplifies early 20th-century Brazilian literary expression, emphasising regional voices and thematic depth within the framework of national literature.
From the opening pages
The noted Brazilian critic, José Verissimo, in a short but important essay on the deficiencies of his country's letters, has expressed serious doubt as to whether there exists a genuinely Brazilian literature. "I do not know," he writes, "whether the existence of an entirely independent literature is possible without an entirely independent language." In this sense Verissimo would deny the existence of a Swiss, or a Belgian, literature. In this sense, too, it was no doubt once possible, with no small measure of justification, to deny the existence of an American, as distinguished from an English, literature. Yet, despite the subtle psychic bonds that link identity of speech to similarity of thought, the environment (which helps to shape pronunciation as well as vocabulary and the language itself) is, from the standpoint of literature, little removed from language as a determining factor. Looking at the question, however, from the purely linguistic standpoint, it is important to remember that the Spanish of Spanish America is more different from the parent tongue than is the English of this country from that of the mother nation. Similar changes have taken place in the Portuguese spoken in Brazil. Yet who would now pretend, on the basis of linguistic similarity, to say that there is no United States literature as distinguished from English literature? After all, is it not national life, as much as national language, that makes literature? And by an inversion of Verissimo's standard may we not come face to face with a state of affairs in which different literatures exist within the same tongue? Indeed, is not such a conception as the "great American novel" rendered quite futile in the United States by the fact that from the literary standpoint we are several countries rather than one? The question is largely academic. At the same time it is interesting to notice the more assertive standpoint lately adopted by the charming Mexican poet, Luis G. Urbina, in his recent "La Vida Literaria de México," where, without undue national pride he claims the right to use the adjective Mexican in qualifying the letters of his remarkable country. Urbina shows that different physiological and psychological types have been produced in his part of the New World; why, then, should the changes stop there? Nor have they ceased at that point, as Señor Urbina's delightful and informative book reveals. So, too, whatever the merits of the academic…
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