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Characteristics of Women: Moral, Poetical, and Historical
- Language
- EN
- Format
- EPUB
- Size
- 423 KB
Description
This work is a critical literary analysis presented in the form of a dialogue, primarily examining representations of female characters in literature, with a focus on Shakespeare. It discusses the virtues, moral qualities, and intellectual attributes associated with women as depicted in various texts. The author seeks to move beyond superficial characterisations to offer a nuanced understanding of women’s roles, emphasising their moral and poetical qualities. Written in the late 19th century, the analysis reflects contemporary critical approaches and perceptions of gender in literature, particularly within the context of British literary tradition. The work also includes the author's reflections on her motivations for writing and appreciation of Shakespeare’s influence. It situates its discussion within a broader cultural and literary framework, aiming to illuminate the complexities of female characterisations in literary history and their moral and poetic significance.
From the opening pages
In preparing for the press a new edition of this little work, the author has endeavored to render it more worthy of the approbation and kindly feeling with which it has been received; she cannot better express her sense of both than by justifying, as far as it is in her power, the cordial and flattering tone of all the public criticisms. It is to the great name of Shakspeare , that bond of sympathy among all who speak his language, and to the subject of the work, not to its own merits, that she attributes the success it has met with,—success the more delightful, because, in truth, it was from the very first, so entirely unlooked for, as to be a matter of surprise as well as of pleasure and gratitude. In this edition there are many corrections, and some additions which the author hopes may be deemed improvements. She has been induced to insert several quotations at length, which were formerly only referred to, from observing that however familiar they may be to the mind of the reader, they are always recognized with pleasure—like dear domestic faces; and if the memory fail at the moment to recall the lines or the sentiment to which the attention is directly required, few like to interrupt the course of thought, or undertake a journey from the sofa or garden-seat to the library, to hunt out the volume, the play, the passage, for themselves. When the first edition was sent to press, the author contemplated writing the life of Mrs. Siddons, with a reference to her art; and deferred the complete development of the character of Lady Macbeth, till she should be able to illustrate it by the impersonation and commentary of that grand and gifted actress; but the task having fallen into other hands, the analysis of the character has been almost entirely rewritten, as at first conceived, or rather restored to its original form. This little work, as it now stands, forms only part of a plan which the author hopes, if life be granted her, to accomplish;—at all events, life, while it is spared, shall be devoted to its fulfilment. CONTENTS. Page Introduction 8 CHARACTERS OF INTELLECT. Portia 53 Isabella 83 Beatrice 99 Rosalind 110 CHARACTERS OF PASSION AND IMAGINATION. Juliet 119 Helena 153 Perdita 172 Viola 181 Ophelia 187 Miranda 207 CHARACTERS OF THE AFFECTIONS. Hermione 219 Desdemona…
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