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Christopher and the Clockmakers

by Sara Ware Bassett

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Language
EN
Format
EPUB
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599 KB

Description

Set in the early 20th century, the novel follows a young boy named Christopher Mark Antony Burton as he engages with the business of his father, a jeweller. The narrative centres around Christopher’s interest in clocks and their detailed mechanics, which develops amidst his experiences navigating childhood and familial expectations. The story emphasizes themes of family legacy, personal identity, and the significance of seemingly ordinary moments that reveal adventure and growth.

The plot details Christopher’s efforts to understand his family’s trade and his own place within it, after a period of illness that temporarily sidelines him from school. Throughout the novel, his interactions with the clockmaking craft serve as a backdrop for his self-discovery and the exploration of his interests. The work exemplifies early 20th-century children's adventure literature, blending everyday life with elements of curiosity and technical fascination.

From the opening pages

Christopher Mark Antony Burton was a tremendously imposing name to give a baby. When he lay in his crib, wee and helpless, he looked as if he might never survive the weight of it. Even later, when he began to toddle about on his small, unsteady feet, the sonorous pseudonym trailed in his wake, threatening to drag him down to an early grave. Nevertheless his father protested against the burden being lightened one iota. Christopher Mark Antony Burton he had been christened and Christopher Mark Antony Burton he must remain. Had it not been his father's, his grandfather's, and his great-grandfather's name before him; and all his life had not Mr. Burton longed for some one to whom to pass on the treasure of which he was so proud? And then on a happy day a son came upon the scene and presto , before the boy was an hour old, the ponderous appellation was clapped on his unlucky head. Mr. Burton, however, did not consider the child unlucky—not he! To bestow this signal honor afforded him infinite satisfaction. No gift he could have granted his heir could, in his opinion, equal—much less surpass—this one. He had, to be sure, on the day of the baby's birth, deposited in the savings bank five hundred dollars to its credit; but what was money when weighed against being Christopher Mark Antony Burton, the fourth? And Christopher had thrived despite the fact that life, no respecter of persons, did not spare him the misfortunes common to the race. He had whooping cough, measles, and mumps like other children, and when at length he reached the ripened age of six he was led to school and it was here, with one swift, leveling blow, that his splendor vanished even as the grass which in the morning groweth up and at night is cut down, and withereth. He issued forth from his home as Christopher Mark Antony Burton and returned to it shorn of his glories and as plain Chris Burton. Was ever transformation more complete? Certainly not in the estimation of his father and mother. But Chris himself was overjoyed at the emancipation. It seemed as if a ball had been lifted from his foot and left him free as air. And the wonderful part of it was that the operation had been so quickly and painlessly accomplished. It had taken a round-faced,

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