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David Copperfield
- Language
- EN
- Format
- EPUB
- Size
- 9 MB
Description
Set in Victorian England during the mid-19th century, Charles Dickens' novel follows the life of David Copperfield from childhood to adulthood. The narrative, presented in the first person, recounts David’s experiences as he faces personal and social challenges, including the loss of his mother, a harsh stepfather, and the difficulties of child labour. His subsequent residence with an eccentric aunt provides a base from which he encounters various characters representing different facets of society, such as the sinister Uriah Heep and the devoted Agnes. The story chronicles his development amid themes of perseverance, morality, and social mobility, characteristic of the Victorian period’s emphasis on personal virtue and progress.
Published between 1849 and 1850, the novel belongs to the bildungsroman genre, illustrating individual growth within a specific historical context. Dickens constructs a detailed portrait of Victorian life and societal structures through a wide cast of characters, emphasizing moral lessons and the importance of resilience. The work reflects both personal and social implications of the period, providing insight into the cultural landscape of 19th-century Britain.
Published between 1849 and 1850, the novel belongs to the bildungsroman genre, illustrating individual growth within a specific historical context. Dickens constructs a detailed portrait of Victorian life and societal structures through a wide cast of characters, emphasizing moral lessons and the importance of resilience. The work reflects both personal and social implications of the period, providing insight into the cultural landscape of 19th-century Britain.
From the opening pages
I do not find it easy to get sufficiently far away from this Book, in the first sensations of having finished it, to refer to it with the composure which this formal heading would seem to require. My interest in it, is so recent and strong; and my mind is so divided between pleasure and regret—pleasure in the achievement of a long design, regret in the separation from many companions—that I am in danger of wearying the reader whom I love, with personal confidences, and private emotions. Besides which, all that I could say of the Story, to any purpose, I have endeavoured to say in it. It would concern the reader little, perhaps, to know, how sorrowfully the pen is laid down at the close of a two-years’ imaginative task; or how an Author feels as if he were dismissing some portion of himself into the shadowy world, when a crowd of the creatures of his brain are going from him for ever. Yet, I have nothing else to tell; unless, indeed, I were to confess (which might be of less moment still) that no one can ever believe this Narrative, in the reading, more than I have believed it in the writing. Instead of looking back, therefore, I will look forward. I cannot close this Volume more agreeably to myself, than with a hopeful glance towards the time when I shall again put forth my two green leaves once a month, and with a faithful remembrance of the genial sun and showers that have fallen on these leaves of David Copperfield, and made me happy. London, October , 1850. PREFACE TO THE CHARLES DICKENS EDITION I REMARKED in the original Preface to this Book, that I did not find it easy to get sufficiently far away from it, in the first sensations of having finished it, to refer to it with the composure which this formal heading would seem to require. My interest in it was so recent and strong, and my mind was so divided between pleasure and regret—pleasure in the achievement of a long design, regret in the separation from many companions—that I was in danger of wearying the reader with personal confidences and private emotions. Besides which, all that I could have said of the Story to any purpose, I had endeavoured to say in it. It would concern the reader little, perhaps, to know…
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