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Fringilla: Some Tales In Verse

by R. D. (Richard Doddridge) Blackmore

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EN
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EPUB
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4 MB

Description

Poetry collections often structured as narrative verses, "Fringilla: Some Tales In Verse" comprises a series of poems that depict various characters and themes, primarily focusing on nature, beauty, and human emotions. The work is attributed to Richard Doddridge Blackmore and is believed to have been composed in the late 19th century. Its poetic form employs a reflective tone, with the opening passages featuring a whimsical depiction of a finch, which serves as a symbolic figure representing creativity and artistic perseverance. The poems weave observations on natural life with contemplations on human experience, illustrating a nuanced appreciation of the interconnectedness of all living things.

The collection employs personification and allegory to explore the moral and emotional dimensions of its subjects, set against a poetic landscape that emphasises harmony with nature. Its style and themes are characteristic of Victorian-era poetry, marked by a focus on morality, introspection, and a respectful admiration for the natural world. The work stands as a reflective and artistic meditation on life's simple yet profound truths.

From the opening pages

He flits about from tree to tree, and twitters a little tale." Albeit he is an ancient bird, who tried his pipe in better days, and then was scared by random shots, he is fain to lift the migrant wing once more towards the humble perch, among the trees he loves. All gardeners own that he does no harm, unless he flits into a thicket of young buds, or a very choice ladies' seed-bed. And he hopes that he is now too wise to commit such indiscretions. Perhaps it would have been wiser still to have shut up his little mandible, or employed it only upon grub. But the long gnaw of last winter's frost, which set mankind a-shivering, even in their most downy nest, has made them kindly to the race that has no roof for shelter and no hearth for warmth. Anyhow, this little finch can do no harm, if he does no good; and if he pleases nobody, he will not be surprised, because he has never satisfied himself. May-day, 1895. NOTE With kind consent of Messrs. Harper, "Buscombe" returns in altered form from the other side of the ocean. Two other little tales appeared of old, but nobody would look at them, and now they are offered after careful trimming. Standing afar. I gaze with doubt at other trimmings which are not mine. They have conquered the taste of the day perhaps, and high art announces them as her last transfiguration. Moreover they are highly recommended— as the purest art not always is—by the modesty of the artist. The cover design, borders, initial letters and the whole of the full-page illustrations—with the exception of the three to 'Pausias and Glycera' by James W. R. Linton—are by Louis Fairfax-Muckley. TO MY PEN I Thou feeble implement of mind, Wherewith she strove to scrawl her name; But, like a mitcher, left behind No signature, no stroke, no claim, No hint that she hath pined— Shall ever come a stronger time, When thou shalt be a tool of skill, And steadfast purpose, to fulfil A higher task than rhyme? II Thou puny instrument of soul, Wherewith she labours to impart Her efforts at some arduous goal; But fails to bring thy coarser art Beneath a fine control— Shall ever come a fairer day, When thou shalt be a buoyant plume, To soar, where clearer suns illume, And fresher breezes…

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