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Handy Andy: A Tale of Irish Life. Volume 1
by Samuel Lover
- Language
- EN
- Format
- EPUB
- Size
- 609 KB
Description
This work is a humorous novel classified within British literature, composed as a narrative that combines character-driven comedy with portrayals of rural Irish life. It features a central figure, Andy Rooney, a young man characterized by repeated misadventures and misunderstandings. The story depicts his interactions within a close-knit community, emphasising themes of folly, domestic relationships, and social dynamics. The novel was written in the early 19th century, reflecting contemporary Irish rural society and manners, with an emphasis on humour rooted in everyday life.
The narrative introduces Andy as a boy prone to blunders, whose behaviours are both a source of amusement and annoyance to those around him. Despite his mistakes, the novel underscores the warmth and familiarity of community bonds, capturing the humorous and endearing aspects of Irish rural existence of the period. Samuel Lover's work combines comic storytelling with social observation, offering a vivid portrayal of character and environment.
The narrative introduces Andy as a boy prone to blunders, whose behaviours are both a source of amusement and annoyance to those around him. Despite his mistakes, the novel underscores the warmth and familiarity of community bonds, capturing the humorous and endearing aspects of Irish rural existence of the period. Samuel Lover's work combines comic storytelling with social observation, offering a vivid portrayal of character and environment.
From the opening pages
I have been accused in certain quarters, of giving flattering portraits of my countrymen. Against this charge I may plead that, being a portrait-painter by profession, the habit of taking the best view of my subject, so long prevalent in my eye, has gone deeper, and influenced my mind:—and if to paint one's country in its gracious aspect has been a weakness, at least, to use the words of an illustrious compatriot, "—the failing leans to virtue's side." I am disinclined, however, to believe myself an offender in this particular. That I love my country dearly I acknowledge, and I am sure every Englishman will respect me the more for loving mine , when he is, with justice, proud of his —but I repeat my disbelief that I overrate my own. The present volume, I hope, will disarm any cavil from old quarters on the score of national prejudice. The hero is a blundering fellow whom no English or other gentleman would like to have in his service; but still he has some redeeming natural traits: he is not made either a brute or a villain; yet his "twelve months' character," given in the successive numbers of this volume, would not get him a place upon advertisement either in "The Times" or "The Chronicle." So far am I clear of the charge of national prejudice as regards the hero of the following pages. In the subordinate personages, the reader will see two "Squires" of different types—good and bad; there are such in all countries. And, as a tale cannot get on without villains, I have given some touches of villainy, quite sufficient to prove my belief in Irish villains, though I do not wish it to be believed that the Irish are all villains . I confess I have attempted a slight sketch, in one of the persons represented, of a gentleman and a patriot;—and I conceive there is a strong relationship between the two. He loves the land that bore him—and so did most of the great spirits recorded in history. His own mental cultivation, while it yields him personal enjoyment, teaches him not to treat with contumely inferior men. Though he has courage to protect his honour, he is not deficient in conscience to feel for the consequences; and when opportunity offers the means of amende , it is embraced. In a word, I wish it to be…
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