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Intentions

by Oscar Wilde

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EPUB
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"Intentions" by Oscar Wilde is a collection of essays from the late 19th century that examine themes of art, morality, and aesthetics. The opening essay, "The Decay of Lying," is structured as a dialogue between two characters, Cyril and Vivian, who engage in a witty discussion about the role of lying in art and literature. Wilde uses this conversation to argue that art plays a vital and transformative role in society, while critiquing modern realism for diminishing creativity and beauty. The dialogue explores contrasting attitudes towards nature and art, with Cyril advocating appreciation for nature's inherent qualities and Vivian dismissing it in favour of artistic imagination.

Set within the context of Victorian Britain, the essays reflect Wilde’s aesthetic philosophy and challenge prevailing notions of morality and artistic purpose. The work presents a series of philosophical reflections presented through lively, argumentative exchanges, characteristic of Wilde’s sharp wit and critical insight into contemporary cultural debates.

From the opening pages

There is a mist upon the woods, like the purple bloom upon a plum. Let us go and lie on the grass and smoke cigarettes and enjoy Nature. Vivian . Enjoy Nature! I am glad to say that I have entirely lost that faculty. People tell us that Art makes us love Nature more than we loved her before; that it reveals her secrets to us; and that after a careful study of Corot and Constable we see things in her that had escaped our observation. My own experience is that the more we study Art, the less we care for Nature. What Art really reveals to us is Nature’s lack of design, her curious crudities, her extraordinary monotony, her absolutely unfinished condition. Nature has good intentions, of course, but, as Aristotle once said, she cannot carry them out. When I look at a landscape I cannot help seeing all its defects. It is fortunate for us, however, that Nature is so imperfect, as otherwise we should have no art at all. Art is our spirited protest, our gallant attempt to teach Nature her proper place. As for the infinite variety of Nature, that is a pure myth. It is not to be found in Nature herself. It resides in the imagination, or fancy, or cultivated blindness of the man who looks at her. Cyril . Well, you need not look at the landscape. You can lie on the grass and smoke and talk. Vivian . But Nature is so uncomfortable. Grass is hard and lumpy and damp, and full of dreadful black insects. Why, even Morris’s poorest workman could make you a more comfortable seat than the whole of Nature can. Nature pales before the furniture of ‘the street which from Oxford has borrowed its name,’ as the poet you love so much once vilely phrased it. I don’t complain. If Nature had been comfortable, mankind would never have invented architecture, and I prefer houses to the open air. In a house we all feel of the proper proportions. Everything is subordinated to us, fashioned for our use and our pleasure. Egotism itself, which is so necessary to a proper sense of human dignity, is entirely the result of indoor life. Out of doors one becomes abstract and impersonal. One’s individuality absolutely leaves one. And then Nature is so indifferent, so unappreciative. Whenever I am walking in the park…

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