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Journey to a woman
by Ann Bannon
- Language
- EN
- Format
- EPUB
- Size
- 397 KB
Description
This work is a novel written in the form of pulp fiction, a popular genre during the mid-20th century that often combined sensational storytelling with provocative themes. It is the fifth book in a series collectively known as The Beebo Brinker Chronicles, focusing on the lives and relationships of lesbian characters. Published initially in 1960 by Gold Medal Books, the novel features cover art and titles that reflect the era's familiar approach to suggestive content. It was later reissued in 1983 and 2003 with different covers, maintaining its presence within the lesbian pulp fiction tradition.
The narrative centres on lesbian characters navigating personal and social challenges, set against the context of 1960s American society. Ann Bannon, under her pseudonym, crafted stories that subtly addressed issues of sexuality and identity, often within the constraints of censorship. This work exemplifies mid-century pulp fiction’s engagement with controversial topics, contributing to the history of LGBTQ literature in a period marked by significant social restrictions.
The narrative centres on lesbian characters navigating personal and social challenges, set against the context of 1960s American society. Ann Bannon, under her pseudonym, crafted stories that subtly addressed issues of sexuality and identity, often within the constraints of censorship. This work exemplifies mid-century pulp fiction’s engagement with controversial topics, contributing to the history of LGBTQ literature in a period marked by significant social restrictions.
From the opening pages
their hearts quieted together and she wept silently at his sigh of relief. She had learned to cry without making a sound. It had taken a while but she had had plenty of opportunities to learn. If he caught her crying there was always a terrible scene. He started out by questioning her love and ended by questioning his own manhood. “Goddamn it, Beth!” he had cried to her once, when they had been married only two months, “if I’m doing it wrong, tell me! How do I know what you want me to do if you don’t tell me? A woman isn’t like a man. I can’t tell if it’s any good for you or not.” He was blaming her for his own faults of love, she thought, and, stung, she snapped back, “What am I supposed to do, give you a play-by-play analysis? Can’t you figure it out for yourself, Charlie? You did well enough before we were married.” “So did you, before we were married,” he flung at her. He got out of bed, lighted a cigarette in the dark, and sat down on the floor. They could not afford chairs yet, and he didn’t want to share the bed with her for a few minutes. Not until the anger wore off. “Beth, you’ve got it just backwards,” he said. “Most girls can’t enjoy it until they’re married. Their consciences hurt, or something. They’re afraid they’ll get pregnant. But not you. Not Backwards Beth. The minute we get married it’s no fun any more. Does love have to be immoral or illegal before you can enjoy it, honey?” Insulted, she turned her back to him and pulled the covers over her disappointed body. She was afraid to think of what he had just said. It had too much the shape of truth and she had had to work very hard to forget it completely. Charlie finished his cigarette and climbed gingerly back into his place in bed, more chilled by his wife’s behavior than the night vapors. It had been nine years since the first such quarrel. There had been others, but Beth had learned fast to hide the tears of frustration. True to her contrary nature, there were times when she loved Charlie—if love can be an on-again, off-again affair. And sometimes, when she didn’t expect it, desire
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