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Lucius Davoren; or, Publicans and sinners, vol. 3
by M. E. (Mary Elizabeth) Braddon
- Language
- EN
- Format
- EPUB
- Size
- 421 KB
Description
This novel is a Victorian-era work of British literature composed as a narrative divided into multiple storylines. It centres on characters involved in romantic relationships, personal sacrifices, and the effects of past actions, set against a backdrop of domestic life and social intrigue. The plot features figures such as Lucius Davoren, Geoffrey Hossack, Janet, and Lucille, whose lives intertwine through emotional conflicts, hidden crimes, and the pursuit of justice. The narrative combines elements of mystery and personal drama, reflecting themes common in 19th-century fiction, including morality, societal expectations, and individual conscience.
The story begins with contrasting scenes, including a country garden party attended by Geoffrey Hossack and others, establishing the setting and character dynamics. The novel captures the atmosphere of the period, emphasising personal relationships and social roles within a rural and small-town context.
The story begins with contrasting scenes, including a country garden party attended by Geoffrey Hossack and others, establishing the setting and character dynamics. The novel captures the atmosphere of the period, emphasising personal relationships and social roles within a rural and small-town context.
From the opening pages
world, as represented by the croquet-players and toxopholites, and above all by those exacting first cousins of his, Belle and Jessie. The green lane was rustic and secluded, well sheltered from the westward sloping sun by spreading boughs of chestnut and sycamore, with here and there the grander bulk of an oak, making an oasis of deep shadow in the afternoon sunlight. Altogether a pleasant lane, even for the indulgence of saddest thoughts. It was on the side of a hill. Right and left of him stretched undulating meadow-land, small enclosures between those straggling unkempt hedges which make the glory of English landscape, and below, almost at his feet as it were, lay a little village nestling in a cup-shaped valley, so snugly sheltered by those gently-sloping meads, so fenced from north and east by those tall screens of foliage, that one might fancy the bleak winds of winter must roll high above those modest roofs, ruffling no leaf in those simple gardens; that hails and snows and frosts must waste their fury on the encircling hills, and leave this chosen nook unassailed; that even the tax-gatherer must forget its existence. There were about half a dozen cottages, the perfection of rusticity—gardens running over with roses, beehives, honeysuckle; a village inn, so innocent and domestic of aspect that one would suppose nothing could be farther from the thoughts of its patrons than strong drink of any kind; a little high-shouldered old church, with a squat square tower and crumbly whitewashed wall; a green burial-ground, all ups and downs like the waves of the sea, overshadowed by two vast yews, whose never-withering foliage canopied those rustic graves from January to December. There was a little patch of greensward in the midst of the scattered houses, and some feet below the churchyard, no two edifices in this village being on the same level. Here a meditative donkey cropped the soft herbage at leisure, and here on the bosom of a crystalline pool swam half a dozen geese, untroubled by forebodings of Michaelmas. It was altogether a deliciously rustic picture, and Geoffrey, for the first time since his return to Hampshire, felt reconciled to Nature. ‘This is better than all the tigered orchids in Lady Baker’s collection,’ he mused, as he perched himself on a stile and took out his cigar-case for a quiet smoke. ‘Why do great ladies cultivate lady’s-slippers
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