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Martin Chuzzlewit
- Language
- EN
- Format
- EPUB
- Size
- 20 MB
Description
Set in 19th-century England, the novel was first published in serialized form between 1843 and 1844. It focuses on the selfishness and moral failings of the Chuzzlewit family, with a particular emphasis on the conflicts between young Martin Chuzzlewit and his wealthy grandfather. After disagreements over love and inheritance, Martin is disowned and apprenticed to the scheming architect Pecksniff. The narrative follows the machinations of various family members and villains, highlighting themes of deception, greed, and social hypocrisy. The story also includes a voyage to America, where characters encounter new environments that reflect and contrast with their native society.
The work is classified within the picaresque genre and features a diverse cast of memorable characters such as Pecksniff and Mrs Gamp. Dickens employs satire to critique societal pretensions and human follies, using humour and dark schemes to explore moral issues rooted in Victorian Britain. Its publication context places it among Dickens's early novels that aim to entertain while offering pointed social commentary.
The work is classified within the picaresque genre and features a diverse cast of memorable characters such as Pecksniff and Mrs Gamp. Dickens employs satire to critique societal pretensions and human follies, using humour and dark schemes to explore moral issues rooted in Victorian Britain. Its publication context places it among Dickens's early novels that aim to entertain while offering pointed social commentary.
From the opening pages
What is exaggeration to one class of minds and perceptions, is plain truth to another. That which is commonly called a long-sight, perceives in a prospect innumerable features and bearings non-existent to a short-sighted person. I sometimes ask myself whether there may occasionally be a difference of this kind between some writers and some readers; whether it is always the writer who colours highly, or whether it is now and then the reader whose eye for colour is a little dull? On this head of exaggeration I have a positive experience, more curious than the speculation I have just set down. It is this: I have never touched a character precisely from the life, but some counterpart of that character has incredulously asked me: “Now really, did I ever really, see one like it?” All the Pecksniff family upon earth are quite agreed, I believe, that Mr Pecksniff is an exaggeration, and that no such character ever existed. I will not offer any plea on his behalf to so powerful and genteel a body, but will make a remark on the character of Jonas Chuzzlewit. I conceive that the sordid coarseness and brutality of Jonas would be unnatural, if there had been nothing in his early education, and in the precept and example always before him, to engender and develop the vices that make him odious. But, so born and so bred, admired for that which made him hateful, and justified from his cradle in cunning, treachery, and avarice; I claim him as the legitimate issue of the father upon whom those vices are seen to recoil. And I submit that their recoil upon that old man, in his unhonoured age, is not a mere piece of poetical justice, but is the extreme exposition of a direct truth. I make this comment, and solicit the reader’s attention to it in his or her consideration of this tale, because nothing is more common in real life than a want of profitable reflection on the causes of many vices and crimes that awaken the general horror. What is substantially true of families in this respect, is true of a whole commonwealth. As we sow, we reap. Let the reader go into the children’s side of any prison in England, or, I grieve to add, of many workhouses, and judge whether those are monsters who disgrace our streets, people our hulks and penitentiaries,
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