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Notre-Dame de Paris
by Victor Hugo
- Language
- EN
- Format
- EPUB
- Size
- 713 KB
Description
Set in 15th-century Paris, this novel recounts the tragic lives of several individuals connected to Notre-Dame Cathedral. The narrative centres around Quasimodo, a deformed bell-ringer, Esmeralda, a Romani dancer, and Archdeacon Claude Frollo, whose obsessive passions lead to a series of misfortunes. The story examines themes of unrequited love, social exclusion, and moral conflict, set against the historic backdrop of the Gothic cathedral, which Hugo notably advocates for preserving. As the characters’ destinies intertwine, the novel portrays their struggles within a society that marginalises them, reflecting Romantic ideals and concerns about social justice and historical preservation.
Published in 1831, the work is a significant example of French Gothic and Romantic literature. It highlights the tension between individual desires and societal expectations, with vivid descriptions of medieval Parisian life and architecture. The novel's enduring reputation stems from its detailed characterisation and the depiction of societal outcasts, making it a notable contribution to literary portrayals of the period and its cultural issues.
Published in 1831, the work is a significant example of French Gothic and Romantic literature. It highlights the tension between individual desires and societal expectations, with vivid descriptions of medieval Parisian life and architecture. The novel's enduring reputation stems from its detailed characterisation and the depiction of societal outcasts, making it a notable contribution to literary portrayals of the period and its cultural issues.
From the opening pages
A few years ago, while visiting or, rather, rummaging about Notre-Dame, the author of this book found, in an obscure nook of one of the towers, the following word, engraved by hand upon the wall:— ἈΝÁΓΚΗ. These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic caligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply. He questioned himself; he sought to divine who could have been that soul in torment which had not been willing to quit this world without leaving this stigma of crime or unhappiness upon the brow of the ancient church. Afterwards, the wall was whitewashed or scraped down, I know not which, and the inscription disappeared. For it is thus that people have been in the habit of proceeding with the marvellous churches of the Middle Ages for the last two hundred years. Mutilations come to them from every quarter, from within as well as from without. The priest whitewashes them, the archdeacon scrapes them down; then the populace arrives and demolishes them. Thus, with the exception of the fragile memory which the author of this book here consecrates to it, there remains to-day nothing whatever of the mysterious word engraved within the gloomy tower of Notre-Dame,—nothing of the destiny which it so sadly summed up. The man who wrote that word upon the wall disappeared from the midst of the generations of man many centuries ago; the word, in its turn, has been effaced from the wall of the church; the church will, perhaps, itself soon disappear from the face of the earth. It is upon this word that this book is founded. March, 1831. CONTENTS PREFACE. CHAPTER IV. THE INCONVENIENCES OF FOLLOWING A PRETTY WOMAN THROUGH THE STREETS IN THE EVENING. CHAPTER III. IMMANIS PECORIS CUSTOS, IMMANIOR IPSE . CHAPTER I. AN IMPARTIAL GLANCE AT THE ANCIENT MAGISTRACY. CHAPTER III. HISTORY OF A LEAVENED CAKE OF MAIZE. CHAPTER V. END OF THE STORY OF THE CAKE. CHAPTER I. THE DANGER OF CONFIDING ONE’S SECRET TO A GOAT. CHAPTER II. A PRIEST AND A PHILOSOPHER ARE TWO DIFFERENT THINGS. CHAPTER V. THE TWO MEN CLOTHED IN BLACK.…
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