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On Love
by Stendhal
- Language
- EN
- Format
- EPUB
- Size
- 391 KB
Description
Set in the early 19th century, the work by Stendhal examines the emotional and psychological aspects of romantic love from a philosophical perspective. Written in 1822, it considers how individuals experience love and the mental processes involved in forming romantic attachments. Central to the treatise is the idea of "crystallization," a process whereby lovers idealise their beloved, perceiving qualities that may not be apparent to others. Inspired by a visit to Austrian salt mines, Stendhal uses the metaphor of crystals forming on bare branches to illustrate how perceptions of love develop through stages such as admiration, hope, and delight. The work aims to analyse love as a complex mental state, emphasizing its subjective and transformative nature.
Throughout, the text reflects the intellectual climate of early 19th-century Europe, engaging with ideas about human psychology, individual perception, and the nature of emotional experience. It contributes to discussions within gender and sexuality studies by exploring the personal and cultural dimensions of romantic attachment and the mental phenomena associated with love.
Throughout, the text reflects the intellectual climate of early 19th-century Europe, engaging with ideas about human psychology, individual perception, and the nature of emotional experience. It contributes to discussions within gender and sexuality studies by exploring the personal and cultural dimensions of romantic attachment and the mental phenomena associated with love.
From the opening pages
l'italienne. " [1] The thing in itself is always the same—it is the love of a man and a woman, not as husband and wife, not as mistress and lover, but as two human beings, who find the highest possible pleasure, not in passing so many hours of the day or night together, but in living one life. Still more, it is the attachment of two free fellow-creatures—not of master and slave. Stendhal was born in 1783—eight years before Olympe de Gouges, the French Mary Wollstonecraft, published her Déclaration des Droits des Femmes . That is to say, by the time Stendhal had reached mental maturity, Europe had for some time been acquainted with the cry for Women's Rights, and heard the earliest statement of the demands, which have broadened out into what our age glibly calls the "Woman Question." How, may we ask, does Stendhal's standpoint correspond with his chronological position between the French Revolution and the "Votes for Women" campaign of the present day? Stendhal is emphatically a champion of Women's Rights. It is true that the freedom, which Stendhal demands, is designed for other ends than are associated to-day with women's claims. Perhaps Stendhal, were he alive now, would cry out against what he would call a distortion of the movement he championed. Men, and still more women, must be free, Stendhal holds, in order to love; his chapters in this book on the education of women are all an earnest and brilliant plea to prove that an educated woman is not necessarily a pedant; that she is, on the contrary, far more lovable than the uneducated woman, whom our grandfathers brought up on the piano, needlework and the Catechism; in fine, that intellectual sympathy is the true basis of happiness in the relations of the two sexes. Modern exponents of Women's Rights will say that this is true, but only half the truth. It would be more correct to say that Stendhal saw the whole truth, but forbore to follow it out to its logical conclusion with the blind intransigeance of the modern propagandist. Be that as it may, Stendhal certainly deserves more acknowledgment, as one of the pioneers in the movement, than he generally receives from its present-day supporters. Stendhal was continually lamenting his want of ability to write. According to him, a perusal of the Code Civil , before composition, was the best…
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