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Paul the minstrel, and other stories
- Language
- EN
- Format
- EPUB
- Size
- 355 KB
Description
"Paul the Minstrel" recounts the life of a young boy named Paul, raised in the peaceful environment of the House of Heritage by Mistress Alison. The narrative traces his early years marked by a love of nature and simple household routines, which cultivate his passion for music and an awareness of human emotion. As Paul grows older, he begins to experience feelings of longing and desire, leading him to seek deeper connections through his developing musical talent and friendships. The stories in the collection, written in the early 20th century, are set against the backdrop of a period of relative stability and reflect themes of innocence, personal growth, and emotional discovery.
The work belongs to the genre of short stories, reflecting Arthur Christopher Benson’s literary style of the period. These stories, written during a happy phase of the author's life, depict childhood and adolescence with an emphasis on mood, character development, and subtle emotional conflicts, illustrating the social and cultural norms of early 20th-century Britain.
The work belongs to the genre of short stories, reflecting Arthur Christopher Benson’s literary style of the period. These stories, written during a happy phase of the author's life, depict childhood and adolescence with an emphasis on mood, character development, and subtle emotional conflicts, illustrating the social and cultural norms of early 20th-century Britain.
From the opening pages
"I mean by a picture a beautiful, romantic dream of something that never was, never will be—in a light better than any light that ever shone—in a land no one can define or remember, only desire—and the forms divinely beautiful—and then I wake up with the waking of Brynhild." Sir E. Burne-Jones PREFACE These stories were all written at a very happy time of my life, and they were first published when I was a master at Eton with a boarding-house. A house-master is not always a happy man. It is an anxious business at best. Boys are very unaccountable creatures, and the years between boyhood and adolescence are apt to represent an irresponsible mood. From the quiet childhood at home the boys have passed to what is now, most happily, in the majority of cases, a carefully guarded and sheltered atmosphere—the private school. My own private school was of the old-fashioned type, with a very independent tone of tradition; but nowadays private schools are smaller and much more domesticated. The boys live like little brothers in the company of active and kindly young masters; and then they are plunged into the rougher currents of public schools, with their strange and in many ways barbarous code of ethics, their strong and penetrating traditions. Here the boys, who have hitherto had little temptation to be anything but obedient, have to learn to govern themselves, and to do so among conventions which hardly represent the conventions of the world, and where the public opinion is curiously unaffected either by parental desires, or by the wishes, expressed or unexpressed, of the masters. A house-master is often in the position of seeing a new set of boys come into power in his house whom he may distrust; but the sense of honour among the boys is so strong that he is often the last person to hear of practices and principles prevailing in his house of which he may wholly disapprove. He may even find that many of the individual boys in his house disapprove of them too, and yet be unable to alter a tone impressed on the place by a few boys of forcible, if even sometimes unsatisfactory, character. But at the time at which these stories were written the tone of my own house was sound, sensible, and friendly; and I had the happiness of living in an
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