Psychology: Briefer Course

In preparing the following abridgment of my larger work, the Principles of Psychology, my chief aim has been to make it more directly available for class-room use. For this purpose I have omitted several whole chapters and rewritten others. I have left out all the polemical and historical matter, all the metaphysical discussions and purely speculative passages, most of the quotations, all the book-references, and (I trust) all the impertinences, of the larger work, leaving to the teacher the choice of orally restoring as much of this material as may seem to him good, along with his own remarks on the topics successively studied. Knowing how ignorant the average student is of physiology, I have added brief chapters on the various senses. In this shorter work the general point of view, which I have adopted as that of 'natural science,' has, I imagine, gained in clearness by its extrication from so much critical matter and its more simple and dogmatic statement. About two fifths of the volume is either new or rewritten, the rest is 'scissors and paste.' I regret to have been unable to supply chapters on pleasure and pain, æsthetics, and the moral sense. Possibly the defect may be made up in a later edition, if such a thing should ever be demanded. I cannot forbear taking advantage of this preface to make a statement about the composition of the 'Principles of Psychology.' My critics in the main have been so indulgent that I must cordially thank them; but they have been unanimous in one reproach, namely, that my order of chapters is planless and unnatural; and in one charitable excuse for this, namely, that the work, being largely a collection of review-articles, could not be expected to show as much system as a treatise cast in a single mould. Both the reproach and the excuse misapprehend the facts of the case. The order of composition is doubtless unshapely, or it would not be found so by so many. But planless it is not, for I deliberately followed what seemed to me a good pedagogic order, in proceeding from the more concrete mental aspects with which we are best acquainted to the so-called elements which we naturally come to know later by way of abstraction. The opposite order, of 'building-up' the mind out of its 'units of composition,' has the merit of expository elegance, and gives a neatly…