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Seen and Unseen
by E. Katherine (Emily Katherine) Bates
- Language
- EN
- Format
- EPUB
- Size
- 271 KB
Description
"Seen and Unseen" is a memoir by E. Katherine Bates that recounts her personal experiences with supernatural phenomena. The narrative begins with her childhood memories, notably her initial encounters with spirits and dreams following her father's death. Throughout the book, she describes her travels across America, Australia, and New Zealand, where she reports various instances of spirit communication, table-turning, and clairvoyance. The work provides detailed, first-person accounts of her interactions with the unseen world, along with reflections on the nature of life, death, and the spiritual realm. It is situated within the early 20th-century context of interest in psychic phenomena and spiritualism, presenting a mixture of personal testimony and contemplative musings.
The book serves as a personal exploration of the author's experiences and beliefs concerning the supernatural, combining autobiographical elements with reflections on the spiritualist movement of its period.
The book serves as a personal exploration of the author's experiences and beliefs concerning the supernatural, combining autobiographical elements with reflections on the spiritualist movement of its period.
From the opening pages
Many years ago, whilst living at Oxford, I was invited by a very old friend, who had recently taken his degree, to a river picnic; with Nuneham, I think, as its alleged object. Unfortunately, the day proved unfavourable, and we returned in open boats, also with open umbrellas; a generally drenched and bedraggled appearance, and nothing to cheer us on the physical plane except a quantity of iced coffee which had been ordered in anticipation of a tropical day. Under these rather trying conditions I can remember getting a good deal of amusement out of the companions in the special boat which proved to be my fate. Our host, being a clever and interesting man himself, had collected clever and interesting people round him, on the "Birds of a Feather" principle, and I happened to sit between two ladies, one the wife (now, alas! the widow) of a man who was to become later on one of our most famous bishops; the other—her bosom friend and deadly rival—the wife of an equally distinguished Oxford don. The iced coffee combined with the pouring rain may have been partly to blame, but certainly the conversation that went on between the two ladies, across my umbrella, was decidedly Feline . To pass the time we were valiantly endeavouring to play "Twenty Questions" from the bottom of the boat, and the Bishop's widow was asking the questions. She had triumphantly elicited the fact that we had thought of a cinder —and an historical cinder—and the twentieth and last permissible question was actually hovering on her lips. "It was the cinder that Richard Cœur de Lion's horse fell upon," she said eagerly. Of course, we all realised that this was a most obvious "slip" in the case of so highly educated a woman; but the Bosom Friend could not resist putting out the velvet paw: "A little confusion in the centuries, I think, dear," she said sweetly. The unfortunate questioner practically "never smiled again" during that expedition. But a still more crushing blow was in store for her. The conversation turned later upon questions of style in writing or speaking, and with perhaps pardonable revenge, she said to her rival: "I always notice that you say 'one' so often—' one does this or that,' and so forth." "Really, dear? That is curious. Now I always notice that you say 'I'
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