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Semiramis, and Other Plays

by Olive Tilford Dargan

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"Semiramis, and Other Plays" by Olive Tilford Dargan is a collection of dramatic works from the early 20th century, primarily focusing on themes of political power, conflict, and personal ambition. The central play, "Semiramis," depicts the rise of Semiramis, the daughter of Menones, as she navigates her ascent to power in Assyria amid a backdrop of war and political intrigue. The narrative explores her relationships with key figures such as King Ninus and Khosrove of Armenia, highlighting the tensions and alliances that shape her reign. The opening scene introduces a tense military atmosphere, with preparations for an impending battle between Assyria and Armenia, and reflects the personal anxieties of Semiramis as she awaits news of her brother.

The collection provides insight into early 20th-century theatrical portrayals of ancient history and legend. It captures the dramatism of political and personal conflicts set against historical and military contexts within the form of stage plays. The works exemplify the dramatic conventions of the period, emphasizing character-driven narratives focused on themes of power, loyalty, and betrayal.

From the opening pages

Officers, heralds, messengers, guards, soldiers, dancers, &c. SEMIRAMIS Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to keep awake. She steps forward. Sol. Hist! Armin! Haddo! ( Enter two guards, left centre ) Still no news? Arm. None, lady. Sol. Oh, Artavan, what keeps thee? Haddo. He will come. Sol. Semiramis is sleeping. I am weary, But I ’ll not sleep. Arm. Rest, madam; we will call you. Sol. My lord shall find me watching, night or day! Arm. Two nights you have not slept. Sol. Ten thousand nights, I think, good Armin. Had. We will call you, madam. Arm. With the first hoof-beat ringing from the north! Sol. ( At curtains, drowsily ) I ’ll be—awake. ( Goes in ) Had. She ’ll sleep now. Arm. Ay, she must. Had. And I ’d not call her for god Bel himself! Arm. Hark! ( Goes to entrance ) ’Tis a horseman! Had. ( Following him ) Two! Arm. Right! We must rouse The lady Semiramis. Had. Make sure ’tis he. ( They step out ) Voice without. Is this Menones’ tent? Arm. ( Without ) Ay, Sir! The word! Voice. God Ninus! ( Semiramis enters, through curtains right centre ) Sem. Artavan! His voice! ( Enter Artavan, followed by Sumbat who waits near entrance ) Sem. My brother! Art. Semiramis! ( Embracing her ) Three years this kiss Has gathered love for thee! Sem. Has ’t been so long Since I left Gazim? Art. Ay,—since Ninus called Our father here, and Gazim lost her dove. Sem. ( On his bosom, laughing softly ) The dove of Gazim,—so they called me then. But now—( proudly, moving from him ) the lioness of Nineveh! Art. A warrior’s daughter! Sem. And a warrior’s sister! O, I have prayed that you might come! The king Is gracious—loves the brave— Art. Our father? Sem. Ah! Art. He ’s well? Sem. Is ’t day? Art. Almost. Sem. At dawn he meets The Armenians on the plain. Art. Then he is well! Sem. He went forth well,—and brave…

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