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Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration

by Joseph Quincy Adams

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This book provides a detailed account of the development of English theatres from their earliest origins through to the Restoration period. It traces the transition from itinerant performances in open spaces such as inn-yards to the construction of dedicated playhouses, with particular focus on venues associated with the plays of William Shakespeare. The text examines the architecture and evolution of these theatres, highlighting how social, political, and cultural factors influenced their design and use over time. It discusses the significance of early theatre practices, the growth of purpose-built structures, and the eventual decline of the earlier forms of performance spaces leading up to the Restoration era.

The work is based on historical research conducted in the early 20th century, incorporating descriptions and illustrations of surviving theatres and their architectural features. It situates the physical spaces within the broader context of English theatrical history, emphasizing their roles in shaping the theatrical culture of the period.

From the opening pages

it Heroωlogia . This has been corrected based on the image of the original title page of Herωologia at the Library of Congress, www.loc.gov. The original book contains a number of full-page illustrations. In this e-book, these illustrations have been moved to the nearest paragraph break so as not to disturb the flow of the text. The page numbers for these illustrations have been omitted, and page references in the text are linked to the pages on which the illustrations actually appear. Page numbers for blank and unnumbered pages are also omitted. Contents Shakespearean Playhouses A HISTORY OF ENGLISH THEATRES from the BEGINNINGS to the RESTORATION By JOSEPH QUINCY ADAMS Cornell University Gloucester, Mass. PETER SMITH 1960 COPYRIGHT, 1917, BY JOSEPH QUINCY ADAMS REPRINTED, 1960, BY PERMISSION OF HOUGHTON MIFFLIN CO. MAP OF LONDON SHOWING THE PLAYHOUSES [ Enlarge ] Blackfriars, (first) 1576-1584. Blackfriars, (second) 1596-1655. Curtain , 1577-after 1627. Fortune, (first) 1600-1621. Fortune, (second) 1623-1661. Globe, (first) 1599-1613. Globe, (second) 1614-1645. Hope , 1613-after 1682. Phoenix or Cockpit , 1617-after 1664. Red Bull , about 1605-after 1663. Rose , 1587-1605. Salisbury Court , 1629-1666. Swan , 1595-after 1632. Theatre , 1576-1598. Whitefriars , about 1605-1614(?). TO LANE COOPER IN GRATITUDE AND ESTEEM PREFACE T HE method of dramatic representation in the time of Shakespeare has long received close study. Among those who have more recently devoted their energies to the subject may be mentioned W.J. Lawrence, T.S. Graves, G.F. Reynolds, V.E. Albright, A.H. Thorndike, and B. Neuendorff, each of whom has embodied the results of his investigations in one or more noteworthy volumes. But the history of the playhouses themselves, a topic equally important, has not hitherto been attempted. If we omit the brief notices of the theatres in Edmond Malone's The Plays and Poems of William Shakespeare (1790) and John Payne Collier's The History of English Dramatic Poetry (1831), the sole book dealing even in part with the topic is T.F. Ordish's The Early London Theatres in the Fields . This book, however, though good for its time, was written a quarter of a century ago, before most of the documents relating to early theatrical history were discovered, and it discusses only six playhouses. The present volume takes advantage of all the materials made available by the industry of later scholars, and records the history of seventeen regular, and five temporary or projected, theatres. The book is throughout…

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