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Tatterdemalion
- Language
- EN
- Format
- EPUB
- Size
- 236 KB
Description
A frail widow residing in southern France during the turmoil of World War I is the central figure of this novel. She is portrayed as a compassionate woman whose physical fragility contrasts with her active efforts to support soldiers through knitting and hospital visits. Her life’s modest routines and acts of kindness are set against the broader backdrop of wartime hardship, revealing her connection to a forgotten past and her enduring empathy. The narrative examines her interactions within a small community, highlighting her devotion to helping others despite her own physical limitations and the emotional strains of the war.
The story is set in the early 20th century and offers a contemplative depiction of an elderly woman’s resilience amid social upheaval. It explores themes of memory, charity, and the quiet heroism of everyday acts. The novel reflects the period's social context through the lens of personal sacrifice and the enduring human capacity for kindness during times of crisis.
The story is set in the early 20th century and offers a contemplative depiction of an elderly woman’s resilience amid social upheaval. It explores themes of memory, charity, and the quiet heroism of everyday acts. The novel reflects the period's social context through the lens of personal sacrifice and the enduring human capacity for kindness during times of crisis.
From the opening pages
Her predilection for things French came from childish recollections of school-days in Paris, and a hasty removal thence by her father during the revolution of '48, of later travels as a little maiden, by diligence, to Pau and the then undiscovered Pyrenees, to a Montpellier and a Nice as yet unspoiled. Unto her seventy-eighth year, her French accent had remained unruffled, her soul in love with French gloves and dresses; and her face had the pale, unwrinkled, slightly aquiline perfection of the 'French marquise' type—it may, perhaps, be doubted whether any French marquise ever looked the part so perfectly. How it came about that she had settled down in a southern French town, in the summer of 1914, only her roving spirit knew. She had been a widow ten years, which she had passed in the quest of perfection; all her life she had been haunted by that instinct, half-smothered in ministering to her husband, children, and establishments in London and the country. Now, in loneliness, the intrinsic independence of her soul was able to assert itself, and from hotel to hotel she had wandered in England, Wales, Switzerland, France, till now she had found what seemingly arrested her. Was it the age of that oldest of Western cities, that little mother of Western civilisation, which captured her fancy? Or did a curious perversity turn her from more obvious abodes, or was she kept there by the charm of a certain church which she would enter every day to steep herself in mellow darkness, the scent of incense, the drone of incantations, and quiet communion with a God higher indeed than she had been brought up to, high-church though she had always been? She had a pretty little apartment, where for very little—the bulk of her small wealth was habitually at the service of others—she could manage with one maid and no "fuss." She had some "nice" French friends there, too. But more probably it was simply the war which kept her there, waiting, like so many other people, for it to be over before it seemed worth while to move and re-establish herself. The immensity and wickedness of this strange event held her, as it were, suspended, body and spirit, high up on the hill which had seen the ancient peoples, the Romans, Gauls, Saracens, and all, and still looked out towards the flat Camargue. Here in her three…
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