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The Dead Command: From the Spanish Los Muertos Mandan

by Vicente Blasco Ibáñez

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EPUB
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Description

The novel follows Jaime Febrer, the last heir of a once noble family now impoverished, as he struggles with the decline of his family’s social standing and the burdens of his heritage. Set in early 20th-century Majorca, the narrative examines themes of social class, familial expectations, and personal identity. The story begins with Jaime living in a dilapidated ancestral palace, experiencing feelings of solitude and despair after recent gambling losses. His desire to visit a nearby village signals a potential change amid his troubled circumstances.

The novel provides a detailed portrayal of a noble family’s fading influence and the internal conflicts faced by its last surviving member. Vicente Blasco Ibáñez’s work reflects early 20th-century societal change in Spain, emphasising individual struggles against the backdrop of tradition and decline within the context of Spanish social history. The narrative combines personal drama with critique of aristocratic decline during this period.

From the opening pages

Jaime Febrer arose at nine o'clock. Old Antonia, the faithful servant who cherished the memory of the past glories of the family, and who had attended upon Jaime from the day of his birth, had been bustling about the room since eight o'clock in the hope of awakening him. As the light filtering through the transom of a broad window seemed too dim, she flung open the worm-eaten blinds. Then she raised the gold-fringed, red, damask drapery which hung like an awning over the ample couch, the ancient, lordly, and majestic couch in which many generations of Febrers had been born and in which they had died. The night before, on returning from the Casino, Jaime had charged her most earnestly to arouse him early, as he was invited to breakfast at Valldemosa. Time to get up! It was the finest of spring mornings; in the garden birds were singing in the flowery branches swayed by the breeze that blew over the wall from the sea. The old servant, seeing that her master had at last decided to get out of bed, retreated to the kitchen. Jaime Febrer strolled about the room before the open window almost nude. There was no danger of his being seen. The dwelling opposite was an old palace like his own, a great house with few windows. From his room he could see a wall of indefinite color, with deep scars, and faint traces of ancient frescoes. It was so near, the street being extremely narrow, that it seemed as if he might touch it with his hand. Nervous on account of an important event which was to take place in the morning, he had passed a restless night, and the heaviness following the short and indifferent sleep led him to seek eagerly the invigorating effect of cold water. Febrer made a sorry grimace as he bathed in the primitive, narrow, and uncomfortable tub. Ah poverty! His home was devoid of even the most essential conveniences despite its air of stately luxury, a stateliness which modern wealth can never emulate. Poverty with all its annoyances stalked forth to meet him at every turn in these halls which reminded him of splendidly decorated theaters he had seen in his European travels. Febrer glanced over the grandiose room with its lofty ceiling as if he were a stranger entering the apartment for the first time. His powerful

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