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The Ghost Girl
by H. De Vere (Henry De Vere) Stacpoole
- Language
- EN
- Format
- EPUB
- Size
- 229 KB
Description
This work is a novel written in the form of a narrative prose. It recounts the experiences of Phylice Berknowles, a fifteen-year-old girl living in Ireland, who is coping with the death of her father. The narrative focuses on her internal emotional landscape as she navigates the tensions between her family’s traditions and the forces of change affecting her community. Set in the early 20th century, the story examines themes of family, identity, and loss through the lens of a young girl confronting her personal and social environment. The novel offers a detailed portrayal of Phyl's character development and her interactions within her family estate of Kilgobbin, portraying her reflections and relationships amidst the backdrop of Irish societal shifts of the period.
The narrative provides a depiction of early twentieth-century Irish rural life and explores the emotional depth of a young girl confronting mortality and change within her familial and cultural context.
The narrative provides a depiction of early twentieth-century Irish rural life and explores the emotional depth of a young girl confronting mortality and change within her familial and cultural context.
From the opening pages
it is of the right colour is lovely, and Phylice Berknowles’ hair was of the right red, worn in a tail—she was only fifteen—so long that she could bite the end with ease and comfort when she was in a meditative mood, a habit of perdition that no schoolmistress could break her of. She was biting her tail now as she read, up to her eyes in the marvellous story of the Gold Bug, and now, unable to read any more by the light from the window, she came to the fire, curled herself on the hearthrug and continued the adventures of the treasure-seekers by the light of the burning turf. What a pretty face it was, seen by the full warm glow of the turf, and what a perfectly shaped head! It was not the face and head of a Berknowles as you could easily have perceived had you compared it with the portraits in the picture gallery, but of a Mascarene. Phyl’s mother had been a Mascarene, a member of the old, adventurous family that settled in Virginia when Virginia was a wilderness and spread its branches through the Carolinas when the Planter was king of the South. Red hair had run among the Mascarenes, red hair and a wild spirit that brooked no contradiction and knew no fear. Phyl had inherited something of this restless and daring spirit. She had run away from the Rottingdean Academy for the Daughters of the Nobility and Gentry where she had been sent at the age of twelve; making her way back to Ireland like a homing pigeon, she had turned up one morning at breakfast time, quite unshaken by her experiences of travel and with the announcement that she did not like school. Had her mother been alive the traveller would have been promptly returned, but Phyl’s father, good, easy man, was too much taken up with agrarian disputes, hunting, and the affairs of country life to bother much about the small affair of his daughter’s future and education. He accepted her rejection of his plans, wrote a letter of apology to the Rottingdean Academy, and hired a governess for her. She wore out three in eighteen months, declared herself dissatisfied with governesses and competent to finish the process of educating and polishing herself. This she did with the aid of all the books in the
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