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The Heather-Moon

by C. N. (Charles Norris) Williamson

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EPUB
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Description

Set in early 20th-century England, "The Heather-Moon" recounts the experiences of Barrie, a young girl living a largely secluded life with her strict grandmother. The narrative focuses on her curiosity regarding a locked garret filled with her late mother’s belongings, symbolising her longing for connection and understanding of her family’s past. As Barrie gains access to this hidden space, she confronts elements of her family history and her own emotional desires, which reflect broader themes of innocence, loss, and the search for identity characteristic of the period.

The novel belongs to the category of early 20th-century adult fiction, combining elements of domestic life with introspective character development. It examines the inner world of a young girl navigating her constrained environment and the implications of family secrets. The story emphasizes personal growth set against a historical backdrop of societal expectations and familial bonds.

From the opening pages

Authors of "The Guests of Hercules," "The Princess Virginia." "The Motor Maid." etc. A. L. BURT COMPANY Publishers New York Copyright, 1912, by C. N. & A. M. Williamson All rights reserved, including that of translation into Foreign Languages, including the Scandinavian. CONTENTS I II III IV V VI VII VIII IX I II III IV V VI VII VIII I I II III IV THE PRELUDE: AND THE PEOPLE I For the first time in her life, Barrie saw the door that led to the garret stairs standing ajar. It was always, always locked, as is correct, though irritating, for a door that leads to Fairyland. In Barrie's Outer Life that her grandmother knew, and Miss Hepburn knew, and Mrs. Muir the housekeeper knew, there was—Heaven be praised!—no romance at all; for romance is an evil thing, still worse, a frivolous thing, which may be avoided for a well-brought-up girl though whopping-cough may not; and already this same evil had wrought vast damage among the MacDonalds of Dhrum. In the Inner Life of Barrie, however, there was nothing worth thinking about except romance; and the door of the garret stairs was one of the principal roads to the forbidden land. She stopped in front of it. At first she could not believe her eyes. Her heart had given a glorious bound, which, only to have felt once in its full ecstasy, was worth the bother of being born into a family where there were no mothers or fathers, but only—ah, what an awesome only!—grim old Grandma MacDonald and Grandma MacDonald's grim old house where Carlisle ends and moorlands begin. It is difficult to be sure of things when your heart is beating nineteen to the dozen, and the special thing, or mirage of a thing, seems—judging from all else that has happened in Outer Life—much too good to be true. Yet there it was, that streak of dull, mote-misted gold, painting what actually appeared to be a crack between the dark frame of the door and the dark old door itself—just such gold as Barrie had seen at least once a day ever since she could remember (except when mumps and measles kept her in bed) by applying an eye to the keyhole. "Fairy gold" she had named it. The only person who ever went into the garret was Mrs. Muir, and though she had the air of making…

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