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The Master Mummer
by E. Phillips (Edward Phillips) Oppenheim
- Language
- EN
- Format
- EPUB
- Size
- 582 KB
Description
"The Master Mummer" by E. Phillips Oppenheim is a novel set in the early 20th century that follows Arnold Greatson, a writer experiencing creative frustration. Discontent with his lighthearted fiction, Greatson seeks more meaningful stories and becomes involved in a series of events that challenge his perceptions of authenticity. Central to the narrative is the encounter at a train station involving a young girl named Isobel de Sorrens and a man claiming to be her guardian, which leads to a dramatic and tense situation. The novel weaves themes of identity, deception, and moral ambiguity within its narrative, emphasizing Greatson’s internal struggle as he confronts the realities behind superficial appearances.
The story combines elements of adventure and psychological intrigue characteristic of early 20th-century popular fiction. Its focus on character motives and the quest for truth reflects the period’s interest in social and moral questions. The narrative structure and style align with Oppenheim's reputation for suspenseful storytelling within the broader context of early modern British novels.
The story combines elements of adventure and psychological intrigue characteristic of early 20th-century popular fiction. Its focus on character motives and the quest for truth reflects the period’s interest in social and moral questions. The narrative structure and style align with Oppenheim's reputation for suspenseful storytelling within the broader context of early modern British novels.
From the opening pages
"If we can possibly prevent it," I said slowly, "you shall never return there." She was calmer than I had expected, but it was a terrible look which she flashed upon us. "I do not know any reason" Isobel answered, "why I should do your bidding." The Master Mummer Sheets of virgin manuscript paper littered my desk, the smoke of much uselessly consumed tobacco hung about the room in a little cloud. Many a time I had dipped my pen in the ink, only to find myself a few minutes later scrawling ridiculous little figures upon the margin of my blotting-pad. It was not at all an auspicious start for one who sought immortality. There came a growl presently from the other side of the room, where Mabane, attired in a disreputable smock, with a short black pipe in the corner of his mouth, was industriously defacing a small canvas. Mabane was tall and fair and lean, with a mass of refractory hair which was the despair of his barber; a Scotchman with keen blue eyes, and humorous mouth amply redeeming his face from the plainness which would otherwise have been its lot. He also was in search of immortality. "Make a start for Heaven's sake, Arnold," he implored. "To look at you is an incitement to laziness. The world's full of things to write about. Make a choice and have done with it. Write something, even if you have to tear it up afterwards." I turned round in my chair and regarded Mabane reproachfully. "Get on with your pot-boiler, and leave me alone, Allan," I said. "You do not understand my difficulties in the least. It is simply a matter of selection. My brain is full of ideas—brimming over. I want to be sure that I am choosing the best." There came to me from across the room a grunt of contempt. "Pot-boiler indeed! What about short stories at ten guineas a time, must begin in the middle, scented and padded to order, Anthony Hopeish, with the sugar of Austin Dobson and the pepper of Kipling shaken on ad lib. ? Man alive, do you know what pot-boilers are? It's a perfect conservatory you're living in. Got any tobacco, Arnold?" I jerked my pouch across the room, and it was caught with a deft little backward swing of the hand. Allan Mabane was an M.C.C. man, and a
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