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The Raft

by Coningsby Dawson

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Language
EN
Format
EPUB
Size
1.2 MB

Description

Set in the early 20th century, the novel examines social and personal themes within the context of Oxford University. It follows Jehane, a 25-year-old woman troubled by her single status and desires for love amidst societal restrictions that limit opportunities for women. The narrative begins with Jehane and her close friend Nan Tudor expressing their frustrations over their unmarried state and comparing their experiences with the more carefree lives of male undergraduates. The story addresses issues of gender roles, societal expectations, and the emotional struggles faced by young women seeking companionship in a conservative setting.

The novel explores Jehane's reflections on marriage and her personal choices, highlighting her feelings of desperation and her marriage out of fear of aging alone. It provides a detailed portrayal of the social environment at Oxford, capturing the attitudes of both students and academics during this period. Coningsby Dawson’s work offers insight into the societal constraints placed on women and the complexities of romantic and personal fulfillment in early 20th-century Britain.

From the opening pages

Their virgins had no marriage-songs; and they that could swim did cast themselves into the sea to get to land, and some on boards, and some on other things. THE RAFT CONTENTS SHADOWS” PETERKINS” CHAPTER XXIV—THE TRICYCLE MAKES A DISCOVERY HEAVEN, THEN—— CHAPTER XXXV—WINGED BIRDS AND ROOTED TREES MARRIAGE-SONGS; AND THEY THAT COULD SWIM——” I t was said of Jehane that she married blindly on the re-bound. She herself confessed in later life that she married out of dread of becoming an old maid. A don’s daughter at Oxford has plentiful opportunities for becoming an old maid. Undergraduates are too adventurously young and graduates are too importantly in earnest for marriage; whether too young or too earnest, they are all too occupied. To bring a man to the point of matrimony, you must catch him unaware and invade his idleness. Love, in its initial stages, is frivolous. This tragic state of affairs was frequently discussed by Jehane with her best friend, Nan Tudor. Were they to allow themselves to fade husbandless into the autumn of girlhood? Were they too ladylike to make any effort to save themselves from this horrid fate?—In the gray winter as they returned from a footer match, on the river in summer as the eights swung by, in the old-fashioned rectory-garden at Cassingland, this was their one absorbing topic of conversation. Ye gods, were they never to be married! They watched the privileged male-creatures who had it in their power to choose them: that they did not choose them seemed an insult. When term commenced, they would dash up to their colleges in hansoms and step out confident and smiling. They would saunter through the narrow Oxford streets to morning lectures, arm-in-arm, in tattered gowns, smoking cigarettes, jolly and lackadaisical. In the afternoon, with savage and awakened energy, they would strive excessively for athletic honors. At night they would smash windows, twang banjoes, rag one another, assault constables and sometimes get drunk. At the end of term they would step into their hansoms and vanish, lords of creation, in search of a well-earned rest. Jehane contrasted their lives with Nan’s and hers. “They’ve got everything; our hands are empty. We’re compulsory nuns and may do nothing to free ourselves. When he comes to my rescue, if he ever comes, how I shall adore him.” Then together they would fall to picturing their chosen lover.

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