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The Rhodesian

by Gertrude Page

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Language
EN
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EPUB
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267 KB

Description

This novel is a work of fiction set in colonial Southern Rhodesia, written in the early 20th century. It is presented as a narrative that examines the social and cultural tensions of the period, primarily through the experiences of Major Carew and his interactions with relatives Diana and Meryl Pym. The story opens at a police camp near the Zimbabwe ruins, establishing a setting that juxtaposes the ancient landscape with the characters' personal and colonial pursuits. The work reflects themes of colonialism, personal loss, and cultural conflict, characteristic of its time and context. Its structure combines descriptive scenes of the African environment with character-driven developments, highlighting the complexities faced by Europeans and Africans during the colonial period. The novel provides a detailed portrayal of life in Southern Rhodesia, blending romantic landscapes with the internal struggles of its characters.

From the opening pages

The velvety darkness of a southern night, with its sense of rich, luscious, breathing intensity, lay over that romantic spot in Southern Rhodesia where the grey walls of the Zimbabwe ruins, with a sublime, imperturbable indifference, continue to baffle the ingenuity and ravish the curiosity of all who would read their story. Scientists, archæologists, tourists come and go, but the stern old walls, guarded by the sentinel hills, give back no answer to eager questioning, eager delving, eager surmise. But in the meantime the Valley of Ruins no longer lies alone and unheeded in the sunlight; and no longer do the hills look down upon rich plains left solely to the idle pleasure of a careless black people. The forerunners of to-day's great civilising army have marched into the valley, and beside the ancient walls there is now a police camp of the British South Africa Police, presided over by two robust young troopers. In the velvety darkness on the night in question there is a single bright light pouring through the open doorway of a dwelling-hut. Through the enfolding silence breaks the bizarre music of an indifferent gramophone, recklessly mocking the sublime grandeur of the age-old antiquities. Laughter and gay music and devil-may-care colonists awaking echoes that have been more or less silent to civilisation for how many thousand years? But on this particular evening it is as though some shadow had fallen upon the little camp. Nothing tangible—nothing that changed the general habits or surroundings—but a vague regret and introspective sadness upon the faces of two young men, usually full of careless content. Cecil Stanley, the more refined, a gentleman by birth and education, lounged low in his chair, with his hands behind his head and his feet on the table, and ever and anon his eyes looked with pained regret into the surrounding depths of night. Patrick Moore, with a grave face, cleaned his gun in a deeper silence than usual, proceeding with an occupation that was his joy on many evenings, whether the gun needed cleaning or not, rather as if it eased his mind to have his hands busy. "I wonder if the Major will come through to-night?" he remarked, as if the silence were growing over-oppressive. "Sure to," laconically. "The moon will be up directly, and he can't be very far away." "I suppose he won't have heard?" "Not likely to have done. Gad!…

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