The Short-story

This book is the result of actual work with first year High School pupils. Furthermore, the completed text has been tried out with them. Their difficulties, standards of reading, and the average development of their minds and taste have constantly been remembered. Whatever teaching quality the book may possess is due to their criticisms. Hearty thanks are due Messrs. G. P. Putnam's Sons, Messrs. Charles Scribner's Sons, The Thomas Y. Crowell Company, and The Houghton Mifflin Company for gracious permission to use copyrighted material. CONTENTS Portraits of Authors Introduction I. Definition and Development II. Forms III. The Short-story as Narration IV. Representative Short-stories V. Bibliography Washington Irving : Rip Van Winkle (1820) Edgar Allan Poe : The Gold Bug (1842) The Purloined Letter (1845) Nathaniel Hawthorne : Howe's Masquerade (1838) The Birthmark (1843) Francis Bret Harte : The Outcasts of Poker Flat (1869) Robert Louis Stevenson : The Sire de Malétroit's Door (1878) Markheim (1885) Rudyard Kipling : Wee Willie Winkie (1888) Notes LIST OF PORTRAITS Washington Irving Frontispiece Edgar Allan Poe Nathaniel Hawthorne Francis Bret Harte Robert Louis Stevenson Rudyard Kipling INTRODUCTION I DEFINITION AND DEVELOPMENT Mankind has always loved to tell stories and to listen to them. The most primitive and unlettered peoples and tribes have always shown and still show this universal characteristic. As far back as written records go we find stories; even before that time, they were handed down from remote generations by oral tradition. The wandering minstrel followed a very ancient profession. Before him was his prototype—the man with the gift of telling stories over the fire at night, perhaps at the mouth of a cave. The Greeks, who ever loved to hear some new thing, were merely typical of the ready listeners. In the course of time the story passed through many forms and many phases—the myth, e.g. The Labors of Hercules ; the legend, e.g. St. George and the Dragon ; the fairy tale, e.g. Cinderella ; the fable, e.g. The Fox and the Grapes ; the allegory, e.g. Addison's The Vision of Mirza ; the parable, e.g. The Prodigal Son . Sometimes it was merely to amuse, sometimes to instruct. With this process are intimately connected famous books, such as "The Gesta Romanorum" (which, by the way, has nothing to do with the Romans) and famous writers like Boccaccio. Gradually there grew a body of rules and a technique, and men…