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The Straw

by Eugene O'Neill

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EN
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EPUB
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Description

Set in a working-class household in Connecticut during 1910, Eugene O'Neill's play depicts the hardships faced by the Carmody family amid economic struggle and health crises. The narrative focuses on Bill Carmody, a widower, and the impact of his daughter Eileen’s tuberculosis diagnosis on the family’s dynamics. Through a series of scenes set within their home and a sanatorium, the play examines themes of poverty, familial obligation, and emotional tension. The opening scenes introduce a chaotic household environment characterized by Bill's rough manner and the strain of caring for his sick daughter. The play reflects early 20th-century social conditions and the personal toll of illness within impoverished communities, portraying raw human conflict amid difficult circumstances.

The play is written as a realistic drama, highlighting the interpersonal relationships and societal challenges of its time. It presents a stark portrayal of life in a lower socio-economic setting, capturing the tension and desperation experienced by families dealing with illness and poverty during this period of American history.

From the opening pages

( The characters are named in the order in which they appear ) Scene One: The Kitchen of the Carmody Home—Evening. Scene Two: The Reception Room of the Infirmary, Hill Farm Sanatorium—An Evening a Week Later. Scene One: Assembly Room of the Main Building at the Sanatorium—A Morning Four Months Later. Scene Two: A Crossroads Near the Sanatorium—Midnight of the Same Day. An Isolation Room and Porch at the Sanatorium—An Afternoon Four Months Later. Time —1910 The Straw The kitchen of the Carmody home on the outskirts of a manufacturing town in Connecticut. On the left, forward, the sink. Farther back, two windows looking out on the yard. In the left corner, rear, the icebox. Immediately to the right of it, in the rear wall, a window opening on the side porch. To the right of this, a china cupboard, and a door leading into the hall where the main front entrance to the house and the stairs to the floor above are situated. On the right, to the rear, a door opening on to the dining room. Further forward, the kitchen range with scuttle, wood box, etc. In the centre of the room, a table with a red and white cloth. Four cane-bottomed chairs are pushed under the table. In front of the stove, two battered wicker rocking chairs. The floor is partly covered by linoleum strips. The walls are papered a light cheerful colour. Several old framed picture-supplement prints hang from nails. Everything has a clean, neatly-kept appearance. The supper dishes are piled in the sink ready for washing. A saucepan of water simmers on the stove. It is about eight o'clock in the evening of a bitter cold day in late February of the year 1912. As the curtain rises, Bill Carmody is discovered fitting in a rocker by the stove, reading a newspaper and smoking a blackened clay pipe. He is a man of fifty, heavy-set and round-shouldered, with long muscular arms and swollen-veined, hairy hands. His face is bony and ponderous; his nose short and squat; his mouth large, thick-lipped and harsh; his complexion mottled—red, purple-streaked, and freckled; his hair, short and stubby with a bald spot on the crown. The expression of his small, blue eyes is one of selfish cunning. His voice is loud and hoarse. He wears a flannel shirt, open at the neck, criss-crossed by red braces; black, baggy trousers grey…

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