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The Thing from the Lake
by Eleanor M. (Eleanor Marie) Ingram
- Language
- EN
- Format
- EPUB
- Size
- 221 KB
Description
Set in early 20th-century Connecticut, Eleanor M. Ingram's novel examines themes of mystery and the supernatural through the lens of a rural setting. The protagonist, Roger Locke, purchases an old farmhouse with a neglected appearance and intends to renovate it. During a night spent in the house, he experiences strange phenomena, including encounters with apparitions and eerie occurrences. The narrative suggests a focus on the psychological and spectral aspects of the haunted house motif, with the setting playing a significant role in shaping the atmosphere of suspense.
The story employs a reflective tone, with Locke recounting his experiences and the history of the house. It blends elements of mystery with supernatural themes, characteristic of early 20th-century American literature. The novel is rooted in the tradition of ghost stories and explores notions of belief and perception within a rural American context.
The story employs a reflective tone, with Locke recounting his experiences and the history of the house. It blends elements of mystery with supernatural themes, characteristic of early 20th-century American literature. The novel is rooted in the tradition of ghost stories and explores notions of belief and perception within a rural American context.
From the opening pages
"As well give up the Bible at once, as our belief in apparitions."— Wesley. The house cried out to me for help. In the after-knowledge I now possess of what was to happen there, that impression is not more clearly definite than it was at my first sight of the place. Let me at once set down that this is not the story of a haunted house. It is, or was, a beleaguered house; strangely besieged as was Prague in the old legend, when a midnight army of spectres unfurled pale banners and encamped around the city walls. Of course, I did not know all this, the day that my real-estate agent brought his little car to a stop before the dilapidated farm. I believed the house only appealed to be lived in; for deliverance from the destroying work of neglect and time. A spring rain was whispering down from a gray sky, dripping from broken gutters and eaves with a patter like timid footsteps hurrying by, yet even in the storm the house did not look dreary. "There, Mr. Locke, is a bargain," the agent called back to me, where I sat in my car. "Finest bit in Connecticut for a city man's summer home! Woodland, farm land, lake and a house that only needs a few repairs to be up-to-date. Look at that double row of maples, sir. Shade all summer! Fine old orchard, too; with a trifle of attention." I nodded, surveying the house with an eagerness of interest that surprised myself. A box-like, fairly large structure of commonplace New England ugliness, it coaxed my liking as had no other place I had ever seen; it wooed me like a determined woman. And as one would long to clothe beautifully a beloved woman, I looked at the house and foresaw what an architect could do for it; how creamy stucco; broad white porches and a gay scarlet roof would transform it. "Come inside," my agent urged, hope in his voice as he observed my face; "let me show you the interior. I brought the keys along. Of course, the rooms may seem a bit musty. No one has lived in it for—some time. It's the old Michell property; been in the family for a couple of hundred years. Last Michell is dead, now, and it's being sold for the benefit of some religious institute the old gentleman
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