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The vidiot
by Ib Melchior
- Language
- EN
- Format
- EPUB
- Size
- 264 KB
Description
A television technician named Don Hartley discovers a method to see through walls after an accidental malfunction during a studio rehearsal. This discovery enables him to develop a camera capable of penetrating barriers, revealing hidden spaces and the outside environment. The story, set in the mid-20th century, belongs to the science fiction genre and examines themes related to technological advancements, surveillance, and moral implications. As Hartley considers the possibilities of his invention, he grapples with the potential consequences of total observation and control, raising questions about privacy and power. The narrative explores the ethical dilemmas faced by those who develop and utilise such technology within a rapidly changing technological landscape.
The story reflects post-war concerns about the rapid development of electronic and communication devices, within a context of burgeoning media influence and Cold War anxieties. It is written by Ib Melchior, a writer with experience in television and film production, and combines elements of speculative fiction with reflections on societal impacts.
The story reflects post-war concerns about the rapid development of electronic and communication devices, within a context of burgeoning media influence and Cold War anxieties. It is written by Ib Melchior, a writer with experience in television and film production, and combines elements of speculative fiction with reflections on societal impacts.
From the opening pages
To the best of our knowledge the Metropolitan Opera stage has never before cast its mantle of magic over the science fiction landscape. But with the coming of Ib Melchior to our pages with his first fantasy story its legendary spell has been widened. For Mr. Melchior is the son of a singer so famous that to mention his name would be redundant. Quite as important, Ib Melchior is a motion picture producer as well as a writer, with several TV shows behind him, including the Perry Como Show on CBS. Much of his background and experience as a producer-director is mirrored forth in this most exciting yarn. There are a good many startling surprises in TV camera work. But if the universe reels—will an eager lad get a second chance? “Don Hartley!” The little blonde secretary’s eyes opened wide with curiosity as she repeated his name. She knows, then , thought Don. “Just—just a minute,” she said. She picked up the phone and pressed the inter-office button. “Mr. Don Hartley to see you, sir,” she announced. Then after a pause, “Yes, sir.” She replaced the receiver, and turned back to Don. “Won’t you please have a seat, Mr. Hartley. He’ll see you in a moment.” Don sat uncomfortably on the edge of one of the heavy, leather-upholstered chairs. He looked around the beautifully appointed ante-office. The little secretary was trying in vain to be inconspicuous in her curiosity about him. He shifted self-consciously on the chair. Was he in the right place? Had he really made the right decision? It was a damned difficult thing to figure out! For the umpteenth time he let his mind wander back twenty-four hours—a measly twenty-four hours—when.... George Kenmore flipped the talk-back key: “Okay, everybody—wrap it up. That’s it for now. Be back here ready to go from the top in exactly one hour and a half.” He turned to the technical director, a large, comfortable man who sat worrying a dead cigar on his left. “And, Steve,” he warned, “don’t kill the cameras. Just cap them up so we don’t burn in. You and the boys be back here in one hour. I’ve got a little problem I want to fool around with. That duplicator effect on Ganymede.” He leaned across the control desk toward the row of monitors in front of him on the lower level of
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