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The Works of William Shakespeare [Cambridge Edition] [Vol. 3 of 9]
- Language
- EN
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- EPUB
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Description
This volume presents four plays by William Shakespeare, written in the early 17th century, and first published in the 1623 Folio. It includes "The Taming of the Shrew," "All's Well That Ends Well," "Twelfth Night," and "The Winter's Tale." These works exemplify Shakespeare's engagement with themes of love, societal roles, and power relationships, featuring characters embroiled in courtship, misunderstandings, and social expectations.
The plays encompass comedy and drama, often exploring the complexities of personal and social identities. "The Taming of the Shrew" begins with the character Christopher Sly, and the collection as a whole reflects Shakespeare's mastery in character development and thematic depth. The publication history includes early quartos and the Folio edition, marking its significance in British literary history and theatrical tradition.
The plays encompass comedy and drama, often exploring the complexities of personal and social identities. "The Taming of the Shrew" begins with the character Christopher Sly, and the collection as a whole reflects Shakespeare's mastery in character development and thematic depth. The publication history includes early quartos and the Folio edition, marking its significance in British literary history and theatrical tradition.
From the opening pages
The four plays printed in this volume appeared for the first time in the Folio of 1623, and in the same order in which they are here given. Of The Taming of the Shrew alone is there any Quarto edition. The title-page of this, as it appears in Capell's copy, is as follows: A wittie | and pleasant | Comedie | Called | The Taming of the Shrew . | As it was acted by his Maiesties | Seruants at the Blacke Friers | and the Globe. | Written by Will. Shakespeare. | London , | Printed by W. S. for John Smethwicke , and are to be | sold at his Shop in Saint Dunstones Church- | yard vnder the Diall: | 1631. | From a minute comparison of this Quarto edition with the First Folio, extending to points which are necessarily left unrecorded in our notes, we have come to the conclusion that the Quarto was printed from the Folio. It is necessary to mention this, because Mr Collier, in the second edition of his Shakespeare, maintains that the Quarto was printed long before 1623, perhaps as early as 1607 or 1609; that its publication "had been in some way 'stayed' by the intervention of the author, on behalf of himself and the company to which he belonged; and that, having in consequence been laid aside for a number of years, some copies of it, remaining in the hands of Smithwicke the stationer, were issued in 1631, as if it had been then first published." Mr Collier also conjectures that the title-page was 'struck off long subsequent to the printing of the body of the comedy to which it is attached.' That this could not have been the case appears from an examination of Capell's copy, the only one known to us which has the title-page perfect. In this the title forms part of the first quire, and has not been inserted. The paper on which it is printed is the same as that used for the rest of the play, the wire-marks corresponding throughout. The passages from the Quarto and Folio which Mr Collier quotes in support of his theory seem to us to make strongly against it. We have not reprinted the old play called The Taming of a Shrew , on which Shakespeare founded his comedy, because it is manifestly by another hand. It is…
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