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Tremendous Trifles
by G. K. (Gilbert Keith) Chesterton
- Language
- EN
- Format
- EPUB
- Size
- 236 KB
Description
"Tremendous Trifles" by G. K. Chesterton is a collection of essays and sketches composed in the early twentieth century. The work emphasizes the significance of commonplace aspects of daily life through a humorous and philosophical lens. Chesterton examines ordinary objects and occurrences, suggesting that they often contain deeper truths and insights. The collection begins with a playful allegorical tale of two boys, Paul and Peter, who wish to become a giant and a pygmy, respectively, illustrating themes of perception and reality. The essays function as brief reflections or observations, often provoking the reader to reconsider the importance of seemingly trivial details.
The author’s approach combines wit and serious philosophical inquiry, making the work characteristic of the period’s literary tendency to value both rational analysis and imaginative perspective. "Tremendous Trifles" exemplifies early 20th-century British literature's interest in everyday life and the philosophical reflection on ordinary experiences.
The author’s approach combines wit and serious philosophical inquiry, making the work characteristic of the period’s literary tendency to value both rational analysis and imaginative perspective. "Tremendous Trifles" exemplifies early 20th-century British literature's interest in everyday life and the philosophical reflection on ordinary experiences.
From the opening pages
These fleeting sketches are all republished by kind permission of the Editor of the DAILY NEWS, in which paper they appeared. They amount to no more than a sort of sporadic diary—a diary recording one day in twenty which happened to stick in the fancy—the only kind of diary the author has ever been able to keep. Even that diary he could only keep by keeping it in public, for bread and cheese. But trivial as are the topics they are not utterly without a connecting thread of motive. As the reader’s eye strays, with hearty relief, from these pages, it probably alights on something, a bed-post or a lamp-post, a window blind or a wall. It is a thousand to one that the reader is looking at something that he has never seen: that is, never realised. He could not write an essay on such a post or wall: he does not know what the post or wall mean. He could not even write the synopsis of an essay; as “The Bed-Post; Its Significance—Security Essential to Idea of Sleep—Night Felt as Infinite—Need of Monumental Architecture,” and so on. He could not sketch in outline his theoretic attitude towards window-blinds, even in the form of a summary. “The Window-Blind—Its Analogy to the Curtain and Veil—Is Modesty Natural?—Worship of and Avoidance of the Sun, etc., etc.” None of us think enough of these things on which the eye rests. But don’t let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try. I. Tremendous Trifles Once upon a time there were two little boys who lived chiefly in the front garden, because their villa was a model one. The front garden was about the same size as the dinner table; it consisted of four strips of gravel, a square of turf with some mysterious pieces of cork standing up in the middle and one flower bed with a row of red daisies. One morning while
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