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Walks in Rome
by Augustus J. C. (Augustus John Cuthbert) Hare
- Language
- EN
- Format
- EPUB
- Size
- 1.4 MB
Description
"Walks in Rome" by Augustus J. C. Hare is a detailed travelogue composed in the late 19th century that functions as a guide for visitors to the city. The work provides both practical advice and historical insights, covering well-known landmarks as well as lesser-visited sites within Rome. Hare discusses the emotional significance of arriving in the city, describing it as a profound experience akin to reuniting with a long-lost friend, and addresses the common difficulties faced by hurried tourists. The narrative aims to deepen understanding of Rome’s cultural and historical layers through descriptive accounts and contextual information, making it suitable for those seeking a more comprehensive appreciation of the city's rich heritage.
The book is structured in two volumes, reflecting its broad scope and detailed approach, and is rooted in the context of Victorian-era travel. It reflects the period’s interest in historical preservation and classical antiquity, offering practical and cultural guidance for travellers of the late 19th century. Hare’s writing contributes to the understanding of Rome’s significance as a centre of history, religion, and art during this period.
The book is structured in two volumes, reflecting its broad scope and detailed approach, and is rooted in the context of Victorian-era travel. It reflects the period’s interest in historical preservation and classical antiquity, offering practical and cultural guidance for travellers of the late 19th century. Hare’s writing contributes to the understanding of Rome’s significance as a centre of history, religion, and art during this period.
From the opening pages
"A GAIN this date of Rome; the most solemn and interesting that my hand can ever write, and even now more interesting than when I saw it last," wrote Dr. Arnold to his wife in 1840—and how many thousands before and since have experienced the same feeling, who have looked forward to a visit to Rome as one of the great events of their lives, as the realization of the dreams and longings of many years. An arrival in Rome is very different to that in any other town of Europe. It is coming to a place new and yet most familiar, strange and yet so well known. When travellers arrive at Verona, for instance, or at Arles, they generally go to the amphitheatres with a curiosity to know what they are like; but when they arrive at Rome and go to the Coliseum, it is to visit an object whose appearance has been familiar to them from childhood, and, long ere it is reached, from the heights of the distant Capitol, they can recognize the well-known form;—and as regards St. Peter's, who is not familiar with the aspect of the dome, of the wide-spreading piazza, and the foaming fountains, for long years before they come to gaze upon the reality? "My presentiment of the emotions with which I should behold the Roman ruins, has proved quite correct," wrote Niebuhr. "Nothing about them is new to me; as a child I lay so often, for hours together, before their pictures, that their images were, even at that early age, as distinctly impressed upon my mind, as if I had actually seen them." Yet, in spite of the presence of old friends and landmarks, travellers who pay a hurried visit to Rome, are bewildered by the vast mass of interest before them, by the endless labyrinth of minor objects, which they desire, or, still oftener, feel it a duty, to visit. Their Murray, their Baedeker, and their Bradshaw indicate appalling lists of churches, temples, and villas which ought to be seen, but do not distribute them in a manner which will render their inspection more easy. The promised pleasure seems rapidly to change into an endless vista of labour to be fulfilled and of fatigue to be gone through; henceforward the hours spent at Rome are rather hours of endurance than of pleasure—his cicerone drags the traveller in one direction,—his antiquarian
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